The Language Police: How Pressure Groups Restrict What Students Learn
Author: Diane Ravitch
Publication date: 2004-05-11
Number of pages: 288
Size: 18,2 Mb
If you’re an actress or a coed just trying to do a man-size job, a yes-man who turns a deaf ear to some sob sister, an heiress aboard her yacht, or a bookworm enjoying a boy’s night out, Diane Ravitch’s internationally acclaimed The Language Police has bad news for you: Erase those words from your vocabulary!
Textbook publishers and state education agencies have sought to root out racist, sexist, and elitist language in classroom and library materials. But according to Diane Ravitch, a leading historian of education, what began with the best of intentions has veered toward bizarre extremes. At a time when we celebrate and encourage diversity, young readers are fed bowdlerized texts, devoid of the references that give these works their meaning and vitality. With forceful arguments and sensible solutions for rescuing American education from the pressure groups that have made classrooms bland and uninspiring, The Language Police offers a powerful corrective to a cultural scandal.
In a multi-page sampling of rejected test passages, we discover that “in the new meaning of bias, it its considered biased to acknowledge that lack of sight is a disability,” that children who live in urban areas cannot understand passages about the country, that the Aesop fable about a vain (female) fox and a flattering (male) crow promotes gender bias. As outrageous as many of the examples are, they do not appear particularly dangerous. However, as the illustrations of abridgment, expurgation, and bowdlerization mount, the reader begins to understand that our educational system is indeed facing a monumental crisis of distortion and censorship. Ravitich ends her book with three suggestions of how to counter this disturbing tendency. Sadly, however, in the face of the overwhelming tide of misinformation that has already been entrenched in the system, her suggestions provide cold comfort. –Silvana Tropea